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Withered Will
Partitions à imprimer
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Suspense Sci-fi Opening 1 (Guitar Solo Part)
Guitare notes et tablatures
Guitar - Digital Download SKU: A0.1031335 Composed by Withered Will. Film/TV. Guita…
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Guitar - Digital Download SKU: A0.1031335 Composed by Withered Will. Film/TV. Guitar Tab. 1 pages. Withered Will #3112083. Published by Withered Will (A0.1031335). PDF tab of guitar solo part in Suspense Sci-fi Opening 1 (Short Ver. with guitar Solo)
$1.99
1.86 €
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Guitare notes et tablatures
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Withered Will
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Suspense Sci-fi Opening 1
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Withered Will
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SheetMusicPlus
Suspense Sci-fi Opening 1
Quatuor à cordes: 2 violons, alto, violoncelle
Choir,Drums,Guitar,Organ - Digital Download SKU: A0.1071561 Composed by Withered Wi…
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Choir,Drums,Guitar,Organ - Digital Download SKU: A0.1071561 Composed by Withered Will. Film/TV. Accompaniment. Duration 129. Withered Will #3112075. Published by Withered Will (A0.1071561).
$1.99
1.86 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Withered Will
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Suspense Sci-fi Opening 1
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Withered Will
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SheetMusicPlus
Suspense Sci-fi Opening 1 (Short Ver. with guitar Solo)
Quatuor à cordes: 2 violons, alto, violoncelle
Choir,Drums,Guitar,Organ - Digital Download SKU: A0.1071563 Composed by Withered Wi…
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Choir,Drums,Guitar,Organ - Digital Download SKU: A0.1071563 Composed by Withered Will. Film/TV. Accompaniment. Duration 81. Withered Will #3112077. Published by Withered Will (A0.1071563).
$1.99
1.86 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Withered Will
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Suspense Sci-fi Opening 1
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Withered Will
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SheetMusicPlus
Duets For Violin & Violoncello 130-145 (volume 9)
Violon, Violoncelle (duo)
Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1371762 Compose…
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Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1371762 Composed by Socrates Arvanitakis. 21st Century,Contemporary. 75 pages. Socrates Arvanitakis #955993. Published by Socrates Arvanitakis (A0.1371762). GENERAL PREFACEThis edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedCONTENTS130 ÎÎÎÎÎΩ (MALAMO-The Golden)131 ÎÎÎÎÎΤÎÎÎΣ (Dance from Mani)132 ÎÎÎΤÎÎÎ ÎÎÎÎÎÎΤÎÎÎÎ(Neckerchief from Kalamata)133 ÎÎΡÎÎÎÎÎ ÎÎΤΡÎÎÎΪÎÎÎÎÎ (It withered, Citro-Lemon Tree)134 ÎÎΡÎÎ Î ÎÎΤÎÎÎΩΤÎΣΣΠ (Maria from Five-Saints Village)135 ÎÎΡΤΥΡÎÎ Î (The Testimony)136 ÎÎΤÎΠΣÎÎ ÎÎΠΤΠÎÎÎΠΣÎÎ¥ 1 (Eyes Like Yours 1)137 ÎÎΥΡÎÎÎΡΠΠ(The Blackish One)138 ÎÎΥΡΠÎÎÎÎÎÎ (Black Kerchief)139 ÎÎ ÎÎÎÎΣΠÎ' ΠΧÎΡÎÎ¥ÎÎ (The Dawn Fooled Me)140 ÎÎÎÎΧΡÎÎÎÎ 1 (Dark Lass 1)141 ÎÎÎÎΧΡÎÎÎÎ 2 ΤΠ(The Dark One 2)142 ÎÎÎÎΥΣÎΣ Î (Menoussis)143 ÎÎΡÎÎ¥ÎÎÎΣ (The Master Ant)144 ÎÎÎ ÎÎÎΧΠ(A Wallachian Woman)145 ÎÎÎ ÎÎΡΠÎÎ ÎΦÎΣÎΣΠ(A Maiden Decided).
$20.00
18.67 €
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Violon, Violoncelle (duo)
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Socrates Arvanitakis
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Duets For Violin & Violoncello 130-145
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Socrates Arvanitakis
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SheetMusicPlus
By Bethesda's Pool, sacred music for SATB choir
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1208296 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1208296 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 11 pages. Kevin G. Pace #806402. Published by Kevin G. Pace (A0.1208296). A stunningly beautiful, sacred composition for SATB choir. Â Music by Kevin G. Pace and text by Mary Ann W. Snowball. Â Depicting the miracle of Jesus curing the man by the Pool of Bethesda.Text:By Bethesdaâs special pool, each day they did wait.Blind and halt and withered there, each to not be late.By the pool the crippled lay; healing was the goal.Ere an angelâs touch was stirred, not one would be whole.Years and years a man stayed near, but with none to aid.Then the Savior came, unknown, to surround and stay.Wilt thou be made whole? was asked by the Healer there.I canât reach the pool myself. These pains I must bear.Wilt thou be made whole? I can ease thy load.Can I heal thy sun-parched soul? May I make thee whole?Rise, and take thy bed and walk. These words Jesus spoke.Soon the man was cleansed and healed, as if he awoke.Had full faith been shown that day from this aged man?Can we also trust our Lord? Will we take his hand?By our own Bethesda pools in a sacred space,He can clearly mend our cares through (by) his wondrous grace.We can also rise like him oâer our doubts and fearsAs we linger, patiently, listening to hear.We can be made whole when his hand we hold.He can heal our holy souls; He will make us whole.
$1.99
1.86 €
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Chorale SATB
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Bethesdaâs special pool, each day they did wait
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Kevin G
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healing was the goal
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By Bethesda's Pool, sacred music for SATB choir
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Kevin G. Pace
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SheetMusicPlus
Nobody Love a Fairy When She's Forty - in C major (soprano key)
Voice Duet Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779671 Composed b…
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Voice Duet Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779671 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditional. Score. 4 pages. Kim Kirkman #6697501. Published by Kim Kirkman (A0.779671). This is a wonderful old comedy song.This is in C major - the high key for sopranosI have put in the first verse that Tessie sings, plus the spoken part. I have changed some of the words of the spoken part to update them.I have then constructed a third verse from other verses that Le Clerq wrote. To sing it exactly like Tessie please repeat first verse.Words:Verse:For years a fairy queen I've bin', For years I foiled the demon king.But alas, I'm getting on, The years have flown somehow,And I feel that Fairy Snowdrop isn't wanted now.Chorus One:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.She may still have her magic power, But that is not enough,They like their bit of magic from a younger bit of fluff.When once your silver star has lost its glitter,And your tinsel looks like rust instead of gold.Your fairy days are ending when your wand has started bending.Noone loves a fairy when she's old.Spoken:T'was I who found the magic wand, I will not tell you where.T'was I who found young Tinkerbell, her head was full of airIâve been a fairy of the flowers, and fairy daffodils,Iâve been a fairy of the wind, and suffer from it still!In certain covered valley hills I go down to the glenBeen loved by all the children and run after by the men. Huh!Noone could touch me at me splits, me splits were all the rage,Until the night woodman left his chopper on the stage, what a mess!Verse 2:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.As far as I can see they try to push you off the map,When once your wand has withered and your wings refuse to flap.When you have lost your little fairy dimples,And the mothholes in your dress let in the cold,It seems that they would sooner listen to a blinkin' crooner,Noone loves a fai-y when she's old!
$1.99
1.86 €
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Arthur Le Clerq
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Kim Kirkman
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Nobody Love a Fairy When She's Forty - in C major
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Kim Kirkman
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SheetMusicPlus
Nobody Loves a Fairy When She's Forty sung by Tessie O'Shea (low key)
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.779670 Composed by Arthur Le…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.779670 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditional. Score. 4 pages. Kim Kirkman #6697499. Published by Kim Kirkman (A0.779670). This is a wonderful old comedy song.I have put it into the key that Tessie O'Shea sings it (Ab major)I have put in the first verse that Tessie sings, plus the spoken part. I have changed some of the words of the spoken part to update them.I have then constructed a third verse from other verses that Le Clerq wrote. To sing it exactly like Tessie please repeat first verse.Words:Verse:For years a fairy queen I've bin', For years I foiled the demon king. But alas, I'm getting on, The years have flown somehow, And I feel that Fairy Snowdrop isn't wanted now. Chorus One:Nobody loves a fairy when she's forty. Nobody loves a fairy when she's old. She may still have her magic power, But that is not enough, They like their bit of magic from a younger bit of fluff. When once your silver star has lost its glitter, And your tinsel looks like rust instead of gold. Your fairy days are ending when your wand has started bending. Noone loves a fairy when she's old.Spoken:T'was I who found the magic wand, I will not tell you where.T'was I who found young Tinkerbell, her head was full of airIâve been a fairy of the flowers, and fairy daffodils,Iâve been a fairy of the wind, and suffer from it still!In certain covered valley hills I go down to the glenBeen loved by all the children and run after by the men. Huh!Noone could touch me at me splits, me splits were all the rage,Until the night woodman left his chopper on the stage, what a mess! Verse 2:Nobody loves a fairy when she's forty. Nobody loves a fairy when she's old. As far as I can see they try to push you off the map, When once your wand has withered and your wings refuse to flap. When you have lost your little fairy dimples, And the mothholes in your dress let in the cold, It seems that they would sooner listen to a blinkin' crooner, Noone loves a fai-y when she's old!
$1.99
1.86 €
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Piano, Voix
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Arthur Le Clerq
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Kim Kirkman
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Nobody Loves a Fairy When She's Forty sung by Tessie O'Shea
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Kim Kirkman
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SheetMusicPlus
"My soul is awakened..."
High Voice,Vocal Solo - Digital Download SKU: A0.916017 Composed by William Kersten…
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High Voice,Vocal Solo - Digital Download SKU: A0.916017 Composed by William Kersten. 20th Century,Contemporary. 6 pages. William Kersten #3007533. Published by William Kersten (A0.916017). Individual song from Five Songs for Soprano - Song-Cycle by William Kersten in two versions: wide and normal vocal range Poem by Anne Bronte (1820-1849)ã My soul is awakened, my spirit is soaringAnd carried aloft on the wings of the breeze,For above and around me the wild wind is roaringArousing to rapture the earth and the seas.The long withered grass in the sunshine is glancing,The bare trees are tossing their branches on high,The dead leaves beneath them are merrily dancingThe white clouds are scudding across the blue sky.I wish I could see how the ocean is lashingThe foam of its billows to whirlwinds of spray,I wish I could see how its proud waves are dashing,And hear the wild roar of their thunder today.
$3.99
3.72 €
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William Kersten
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"My soul is awakened..."
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William Kersten
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SheetMusicPlus
Five Songs for Soprano - Song-Cycle, Op. 14
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1314982 Composed by William …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1314982 Composed by William Kersten. Classical,Opera,Romantic Period. Score. 23 pages. William Kersten #903730. Published by William Kersten (A0.1314982). Inspired by the Victorian and Romantic poetry of Christina Rossetti, Anne Bronte, Thomas Hood and Thomas Beddoes, the Five songs form a cycle of joy, sadness, love, death and exultation.  The music is scored in two versions: Normal Vocal Range and Wide Vocal Range.1. A Birthday Christina Rossetti (1830-1894) My heart is like a singing bird Whose nest is in a watered shoot; My heart is like an apple-tree Whose boughs are bent with thick-set fruit; My heart is like a rainbow shell That paddles in a halcyon sea; My heart is gladder than all these Because my love is come to me. Raise me a dais of silk and down; Hang it with vair and purple dyes; Carve it in doves and pomegranates, And peacocks with a hundred eyes; Work it in gold and silver grapes, In leaves and silver fleurs-de-lys; Because the birthday of my life Is come, my love is come to me. 2. Echo Christina RossettiCome to me in the silence of the night; Come in the speaking silence of a dream; Come with soft rounded cheeks and eyes as bright As sunlight on a stream; Come back in tears, Oh memory, hope, love of finished years. Oh dream how sweet, too sweet, too bitter sweet, Whose wakening should have been in Paradise, Where souls brimfull of love abide and meet; Where thirsting longing eyes Watch the slow door That opening, letting in, lets out no more. Yet come to me in dreams, that I may live My very life again though cold in death - Come back to me in dreams, that I may give Pulse for pulse, breath for breath: Speak low, lean low, As long ago, my love, how long ago. 3. There is dew...âThomas Hood (1799-1845)There is dew for the flowret And honey for the bee, And bowers for the wild bird, And love for you and me. There are tears for the many And pleasures for the few; But let the world pass on, dear, There's love for me and you. 4. We do lie beneath the grass...âThomas Beddoes (1803-1849) We do lie beneath the grass In the moonlight, in the shade Of the yew-tree. They that pass Hear us not. We are afraid They would envy our delight, in our graves by glow-worm night. Come follow us, and smile as we; We sail to the rock in the ancient waves, Where the snow falls by thousands into the sea, And the drowned and the shipwrecked have happy graves.  5. My soul is awakened...â Anne Bronte (1820-1849)My soul is awakened, my spirit is soaring And carried aloft on the wings of the breeze, For above and around me the wild wind is roaring Arousing to rapture the earth and the seas. The long withered grass in the sunshine is glancing, The bare trees are tossing their branches on high, The dead leaves beneath them are merrily dancing The white clouds are scudding across the blue sky. I wish I could see how the ocean is lashing The foam of its billows to whirlwinds of spray, I wish I could see how its proud waves are dashing, And hear the wild roar of their thunder today.
$6.99
6.52 €
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Piano, Voix
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William Kersten
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Five Songs for Soprano - Song-Cycle, Op. 14
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William Kersten
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SheetMusicPlus
The Poet's Pen for Tenor, Oboe and Piano
Small Ensemble High Voice,Oboe,Piano Accompaniment - Level 5 - Digital Download SKU: A0…
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Small Ensemble High Voice,Oboe,Piano Accompaniment - Level 5 - Digital Download SKU: A0.981218 Composed by Judith Cloud. Contemporary,Standards. Score and parts. 17 pages. Judith Cloud #6689693. Published by Judith Cloud (A0.981218). Composerâs Notes In my parents' library there was an assortment of very old books that I used to leaf through while home for holidays. One of these, The Ladies' Wreath, was of special interest. The inscription inside the front cover read To Miss Sophia Venable by her friend William M. Duphuy, April 25, 1850. Within the collection of romantic short stories and poems was The Poet's Pen from the Greek didactic poet Menecrates. Here was something very different from the overly sentimental offerings in most of the volume. I imagined the solitary lady reading this would feel most exhilarated and even empowered. Ideas for setting the poem came almost immediately, with the oboe as a key figure. Having experimented with a choral setting, I settled on tenor, oboe and piano and in 1989 the piece was completed. I revised The Poetâs Pen in 2016. The Poet's Pen I was a useless reed; no cluster hungMy brow with purple grapes; no blossom flungThe coronet of crimson on my stem;No apple blushed upon me, nor (the gemof flowers) the violet strewed the yellow heathAround my feet; nor jessamine's sweet wreathRobed me in silver: day and night I pinedOn the lone moor, and shivered in the wind.At length a poet found me. From my sideHe smoothed the pale and withered leaves, and dyedMy lips in Helicon. From that high hour,I spoke! my words were flame and living power!All the wide wonders of the earth were mine;Far as the surges roll, or sunbeams's shine;Deep as earth's bosom hides the emerald;High as the hills with thunder-clouds are palled;And there was sweetness round me, that the dewHad never wet so sweet on violets blue.To me the mighty scepter was a wand;The roar of nations pealed at my command.To me the dungeon, sword, and scourge were vain,I smote the smiter, and I broke the chain;Or, towering o'er them all, without a plumeI pierced the purple air, the tempest's gloom,Till blazed th'Olympian glories on my eye,Stars, temples, thrones and gods--infinity. Menecrates of Ephesus (330-270 BC)
$15.00
14 €
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Judith Cloud
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The Poet's Pen for Tenor, Oboe and Piano
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Judith Cloud
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SheetMusicPlus
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